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Devin Greenwood is an American audio/visual artist and composer of contemporary classical music based in New York City. Inspired by wave phenomena such as weather patterns and collective behaviors, his music centers around a compositional practice he developed with Gideon Crevoshay called antenati—a name which refers to the emergence of spontaneous musical structures from a canon of tension-resolution patterns performed by the composer. In his scholarly work, A New Phenomenology of Meaning in Music, Greenwood highlights the underlying patterns generated by the practice, linking the emergence of musical structures to the oscillatory nature of thought and subjective experience.

His visual work—also revolving around the expression of wave phenomena—is focused on obsolete tech such as oscilloscopes, video synthesizers, and 1980s game consoles. He is the co-founder/owner of the Brooklyn recording studio The Honey Jar, and in 2024, he was awarded a doctoral fellowship at Princeton University, where he is pursuing a PhD in music cognition and composition.

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