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Devin Greenwood is a New York-based composer and audio-visual artist whose work explores the intersection of wave phenomena and collective behavior. His music is grounded in antenati—a practice developed with Gideon Crevoshay that treats music as a living system, where spontaneous structures emerge from an evolving language of tension-resolution patterns. In his writing, such as, Antenati: A New Phenomenology of Meaning in Music, Greenwood highlights the oscillatory nature of thought and subjective experience, linking the arrival of musical structure to the rhythmic surfacing of meaning in the human mind.
His visual practice mirrors these interests, utilizing "obsolete" technologies—including oscilloscopes, vintage video synthesizers, and 1980s game consoles—to give form to hidden frequencies. Greenwood’s music has been performed by leading ensembles such as Alarm Will Sound, Sō Percussion, and Ekmeles, while his visual work has been featured at Finland’s Turku Animated Film Festival, St. Ann’s Warehouse, and National Sawdust. He is the co-founder of the Brooklyn recording studio The Honey Jar, and in 2024, he was awarded a doctoral fellowship at Princeton University, where he is pursuing a PhD in music cognition and composition.
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